Once, there was a woman named Donna. Well, actually there were many women, all named Donna. Or rather, there were many women who called each other Donna. It was a secret code. They’d whisper it to each other in the hallways, across tables, over glasses of wine and empty oyster shells. And when they heard it they knew: that they would make something beautiful together. Something incandescent.

Laszlo Moholy-Nagy, “Lucia at the breakfast table,” 1926
Who We Are

Alyson Fox, “Ikebana Series”

Molly Prentiss, “Vermont 1,” 2015
What We Make

Dan Budnik, “O'Keeffe's Kitchen Sink,” 1975

Jean Renaud, "Dancing on a paris rooftop,” 1950

Louis Lozowick, “Cactus,” 1932

Carmen Winant, “Body/Index,” 2018
Our Collective Clients

Seashell Luncheon, Tiffany Table Setting, 1960

Abbye Churchill, “Light Shadow #8,” 2016
Contact

Reinhard Brauns, from “Das Mineralreich,” 1902
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Once, there was a woman named Donna. Well, actually there were many women, all named Donna. Or rather, there were many women who called each other Donna. It was a secret code. They’d whisper it to each other in the hallways, across tables, over glasses of wine and empty oyster shells. And when they heard it they knew: that they would make something beautiful together. Something incandescent.

Laszlo Moholy-Nagy, “Lucia at the breakfast table,” 1926
Who We Are

Alyson Fox, “Ikebana Series”

Molly Prentiss, “Vermont 1,” 2015
What We Make

Dan Budnik, “O'Keeffe's Kitchen Sink,” 1975

Jean Renaud, "Dancing on a paris rooftop,” 1950

Louis Lozowick, “Cactus,” 1932

Carmen Winant, “Body/Index,” 2018
Our Collective Clients

Seashell Luncheon, Tiffany Table Setting, 1960

Abbye Churchill, “Light Shadow #8,” 2016
Contact

Reinhard Brauns, from “Das Mineralreich,” 1902
Follow us on Instagram